Category:Mid High Fidelity (most Japanese recorders fall into this category)
Country of Manufacture:Japan
Release dates: -
Speeds: 1 7/8, 3 3/4, 7 1/2
Max Reel Size("): 7"
Number of heads: 3
Head Composition: Permalloy
Head Configuration: Stereo
# Motors: 3
Voltage(s): 110-120v, Multi
Frequency Response:7½ ips: 40 - 21kHz; 3¾ ips: 40Hz - 18kHz
Wow and Flutter:< 0.15 % at 7½ ips, < 0.25% at 3¾ ips
Sound quality rating:6 / 10
Long-term reliability rating: 7 / 10
The M-8 had the same basic layout styling as its predecessors the Akai M-6 and M-7, and like the M-7 it had the exclusive “cross-field” biasing system.
All of these early “M” series Akais utilised valve circuitry and a continuously variable playback equalisation design.
This was a quarter track stereo recorder with internal power amplifiers and monitor speakers. A single motor was employed for all transport functions and the maximum spool size was seven inches.
The twin monitor speakers were mounted on the top of the cabinet and stereo sound was really only available near the recorder. At greater distances, the stereo effect was completely negligible and widely-spaced, wide-range remote speakers would have been necessary for normal stereo listening.
Three speeds were available with the use of a capstan sleeve (7½ ips – 3¾ips without the sleeve and 3¾ ips – 1 7/8ips with the sleeve) but according to test-bench reports of the time, wow and flutter were higher with the capstan sleeve fitted.
|A “sound-on-sound” button was included so that one amplifier was set to play whilst the other to record, enabling track-to-track transfer while adding another recording. |
An extremely heavy machine at 45 lbs (20.5 kg) the M-8 was the last of the tube M series, the M-9 of 1966 being fully solid state.
Priced at £153 in the UK in 1965, this machine was not sold in the USA as an Akai, but rebadged and sold as the Roberts 770X.
Price when new (UK)
|quarter-track stereo / mono|
|three – erase, record/playback and Crossfield bias|
|hysteresis-synchronous, 2 speed (3,000 – 1,500 rpm), capacitor start, dynamically balanced|
Maximum reel size
|7½, 3¾ & 17/8 ips|
|7½ ips: 40 – 21kHz|
|3¾ ips: 40Hz – 18kHz|
|17/8 ips: 40 – 10kHz|
Wow & flutter
|< 0.15 % at 7½ ips, < 0.25% at 3¾ ips, < 0.35% at 17/8ips|
Signal to noise ratio
|better than 53 dB|
|2 x 6267 (EF86), 2 x 12AX7, 2 x 6BQ5, 1 x 6AR5, 2 x 6X4|
|90 seconds for 1,200 ft reel|
Audio output power
|6 watts per channel|
|low level high impedance mic input, high level line input|
|high impedance head output, 8/16 ohm amplifier output|
|2 x top-mounted monitor speakers |
2 x 8″ coaxial extension speakers (optional)
|13″ x 20″ x 9″|
|45 lbs (20.5 kg)|